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You can control dynamics, shape tone with dynamic EQ, add distortion and tape saturation, check your tracks against a reference, and more. Ozone 9 doesn’t just include a beefed-up Imager, it also includes a suite of 15 powerful mastering tools.
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This makes it a surgical tool ideal for working with complex sounds, like a full mix. In the Standard and Advanced versions of Ozone 9, you can adjust your stereo image in multiple frequency bands (multiband), letting you widen the lows, mids, and highs separately. But it’s just a taste of what our mastering suite, Ozone 9, has to offer. Ozone Imager is quick to set up and light on CPU, so it’s ideal for use on individual tracks in your mix. Here are a few articles for those hungry for more knowledge: Explore Ozone 9 It’s what separates the beginners from the not-so-beginners, and we have a wealth of information on our blog around the subject. Working in stereo and mid/side is a deep and complex topic, but knowing how it works unlocks a ton of options in mixing. You’ll also notice Ozone Imager has an all-around facelift, with a modern new look and feel inspired by the design of Ozone 9. There’s also a correlation meter that tells you when the audio is in or out of phase, which is very handy when checking to see if you’ve done too much to the signal. Ozone Imager’s three selectable meters- Polar Sample, Polar Level, and Lissajous-help you see when your image is too wide, too narrow, or too intense. We’ve also made the plug-in fully resizable. We’ve added this new fluid metering style to Ozone Imager, giving you a cleaner way to visualize the stereo image and know if you’re overprocessing. We’ve introduced new and better ways of visualizing different aspects of your sound and improved the responsiveness of the meters for a more beautiful, detailed experience.
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Here at iZotope, we put a lot of thought into metering. You may also find it works better for low-end sources like bass, because Stereoize II gives a much more defined and articulate low-end response.īoth modes are useful, so experiment to see which one suits your sound best. Stereoize II uses a more transparent type of processing to create the stereo effect and is useful when you want to widen the image of a narrow percussive sound like a snare drum or surgically position a backing vocal in the mix without making it sound over-processed. This effect is cool and often very handy, but it’s also colorful and doesn’t lend itself to all sounds. It uses time-based processing to separate the left and right channels, which your ear naturally interprets as “stereo”. Stereoize I is the original algorithm from the first version of Ozone Imager. In the new version of Ozone Imager, there are two selectable modes for Stereoize, labeled “I” and “II” in the plug-in.
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Width will have no effect in this instance, which is when Stereoize becomes useful-it creates artificial stereo so you can embiggen the sides to your heart’s content! But what if there is no sound in the side channels? This is often the case if you recorded a track in mono.
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In Ozone Imager, The Width control is used to increase or decrease the volume in your side channels, which gives the effect of widening or narrowing the stereo image.
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When I install the correct version with VST activated, I'll poke around for Ozone 8 Elements. Here are six tips to get you out of a dialogue bind. The truth is, with iZotope RX, you can fix all sorts of previously impossible problems. Distortion, errant sirens, wind gumming the microphones-it’s impossible. Dialogue Repair: 6 Problems You Thought You Couldn't Fix Nov 12, 2019.